Monday, January 23, 2017
While this CD is not new, it represents an amazing set of performances, so it deserves to be heard! Helene Grimaud performs both piano concertos by Brahms. Brahms: Piano Concerto No. 1 in D minor, Op. 15, with the Symphonieorchester des Bayerischen Rundfunks Piano Concerto No. 2 in B flat major, Op. 83, with the Wiener Philharmoniker Performed by Hélène Grimaud (piano), and conducted by Andris Nelsons. This is romantic music-making from one of the world’s most captivating pianists. These are deeply personal interpretations of the dark, passionate sound-worlds of both Brahms piano concertos. A unique, multi-faceted artist who continues to push creative boundaries, Grimaud is one of few pianists to conquer the monumental dimensions of both works. Recorded at Vienna’s legendary Musikverein, the 2nd Piano Concerto marks Grimaud’s debut recording with the celebrated Wiener Philharmoniker; coupled with the equally coveted Symphonieorchester des Bayerischen Rundfunks for the 1st Concerto, Grimaud has discovered exemplary musical counterparts. Conductor Andris Nelsons – dubbed “Der Wunderdirigent” by the Süddeutsche Zeitung – is one of today’s most exciting interpreters of Romantic repertoire. BBC Music Magazine wrote: “a superb pianist at the height of her powers […] teamed to a conductor with whom she seems to have instinctive rapport…there’s drama aplenty in the big first movement of the [Second] Concerto. Nelsons secures some delightfully pointed orchestral playing in No. 1’s finale, and really creates the restorative calm of No. 2’s slow movement.” Here is Ms. Grimaud in the music of Brahms:
Helene Grimaud has been told not to fly in for the BNY Mellon Grand Classics Thanksgiving concert. Nor will there be any other music events at Heinz Hall before December 5. The board of the Pittsburgh Symphony Orchestra has dug itself into a winter trench. The musicians are giving private concerts around town. The strike is in its seventh week with no talking going on, and no end in sight.
Ms. Grimaud is known for putting together creative programs. And this CD is no exception. In this recording, Helene Grimaud presents an album with an unusual concept. Bach vs. Bach Transcribed brings together original keyboard works by Bach, together with works by Bach arranged (transcribed) for the piano by composers of later generations: Busoni, Liszt, and Rachmaninov. This is the first time that Hélène Grimaud has recorded Bach – a challenge for any musician. The repertoire includes the famous Well-Tempered Clavier II and the Concerto no. 1 in D minor, the latter performed with Grimaud’s regular collaborators, the Kammerphilharmonie Bremen. Bach “Transcribed” features the Bach/Busoni version of the Chaconne in D minor, the Violin Partita in E major arranged for piano by Rachmaninov, and Liszt’s version of the Prelude and Fugue in A minor. Here is Ms Grimaud, playing Bach’s Harpsichord concerto BWV 1052:
Charles Dutoit, who has been conducting the Sydney Symphony for 40 years, has convinced his ex-wife Martha Argerich to join him on next year’s long-haul flight. It’s her first time Down Under. Sydney’s other piano stars next season include Daniil Trifonov and Hélène Grimaud. Looking good. press release: TUESDAY 9 AUGUST 2016: The Sydney Symphony Orchestra and Chief Conductor and Artistic Director David Robertson have today announced their 2017 season, with offerings for every concert-goer, from classical music aficionados to lovers of new Australian music and those looking forward to their first orchestral experience. David Robertson has again invited some of the world’s greatest conductors and soloists to perform with your SSO, including Argentinean pianist Martha Argerich – who is set to make her Australian debut – and Swiss conductor Charles Dutoit in a celebration of his 40-year relationship with the SSO. Pianists Hélène Grimaud and Daniil Trifonov, violinists Baiba Skride and Janine Jansen, singers John Relyea and Susan Graham, and conductors Simone Young and Vladimir Ashkenazy will also appear in the 2017 season.
Earlier today I listened to pianist Helene Grimaud performs the first movement of the Beethoven Moonlight sonata. I have always been very demanding of how this piece is interpreted, because so many pianists fail to perform it in a true Legato style. Many pianists shorten the second note of the famous melody, rendering the music to be unstable, and with incorrect rhythm. Ms. Grimaud’s playing was flawless and very satisfying. So… I have for you today more music performed by Helen Grimaud: Hélène Grimaud: Résonances Bartók: Romanian Folk Dances for piano, Sz. 56, BB 68 Berg: Piano Sonata, Op. 1 Liszt: Piano Sonata in B minor, S178 Mozart: Piano Sonata No. 8 in A minor, K310 All performed by Hélène Grimaud (piano) On this CD, Hélène Grimaud presents a solo recital program, which she took on a world-wide tour. The pianist has conceived of works spanning a wide range of emotions and styles, yet all linked by their origin in that singular musical line of succession: the great composers of the Austro-Hungarian empire. Her new album bears the title Résonance, reflecting Grimaud’s imaginative approach to this stimulating compilation of masterpieces. Hélène Grimaud brings all her artistic maturity and a perfect balance between intellect and emotion to bear on highly dramatic sonatas by Mozart – the A minor K.310 – Liszt and Berg, leavened by Bartók’s irresistible Romanian Folk Dances. Here is Ms. Grimaud in Beethoven’s Moonlight Sonata:
This is a wonderful collection of solo piano compositions played by different artists, such as Martha Argerich, Daniel Barenboim, Lang Lang, and more. Here is a long list of the selections that are recorded for your enjoyment: Bach, J S: Prelude & Fugue Book 1 No. 1 in C major, BWV846: Prelude Hélène Grimaud (piano) Beethoven: Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight’: Adagio sostenuto Daniel Barenboim (piano) Brahms: Intermezzo in E flat major, Op. 117 No. 1 Wilhelm Kempff (piano) Chopin: Nocturne No. 2 in E flat major, Op. 9 No. 2 Daniel Barenboim (piano) Nocturne No. 5 in F sharp major, Op. 15 No. 2 Daniel Barenboim (piano) Prelude Op. 28 No. 4 in E minor Martha Argerich (piano) Prelude Op. 28 No. 7 in A major Martha Argerich (piano) Debussy: Préludes – Book 1: No. 8, La fille aux cheveux de lin Dino Ciani (piano) Clair de Lune (from Suite Bergamasque) Alexis Weissenberg (piano) Grieg: Lyric Pieces Op. 43: No. 6 – To Spring Mikhail Pletnev (piano) Lyric Pieces Op. 54: No. 4 – Nocturne Andrei Gavrilov (piano) Liszt: Consolation, S. 172 No. 3 in D flat major Daniel Barenboim (piano) Liebestraum, S541 No. 3 (Nocturne in A flat major) Yundi Li (piano) Mendelssohn: Song without Words, Op. 19b No. 1 in E major ‘Sweet Remembrance’ Daniel Barenboim (piano) Song without Words, Op. 30 No. 6 in F sharp minor ‘Venezianisches Gondellied No. 2’ Daniel Barenboim (piano) Rachmaninov: Prelude Op. 23 No. 4 in D major Lazar Berman (piano) Prelude Op. 32 No. 12 in G sharp minor Lilya Zilberstein (piano) Satie: Gymnopédie No. 1 Jean-Marc Luisada (piano) Schubert: Impromptu in G flat major, D899 No. 3 Daniel Barenboim (piano) Schumann: Kinderszenen, Op. 15: Traümerei Lang Lang (piano)